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Ivory Self-Drafted Corset In-Progress

Self-Drafted Ivory Corset ProgressSelf-Drafted Ivory Corset Progress Ivory Corset In ProgressIvory Corset In Progress Herringbone Canvas-y.. stuff: The herringbone stuff I'm using as a middle layer in my newest corset.  It seems to have more give than the Vera Wang canvas, but that could be said of most things.Herringbone Canvas-y.. stuff: The herringbone stuff I'm using as a middle layer in my newest corset. It seems to have more give than the Vera Wang canvas, but that could be said of most things.
Okay, so I've started what may be a "real" version of the corset I drafted from the Foundations Revealed instructions. Since I decided I did want to use the ivory dupioni for the outer layer, I decided to nix the second layer of Vera Wang canvas and use the herringbone canvas-y stuff from a mystery bundle as the middle layer. I'm thinking that next time, I'll definitely fuse the fashion fabric layer to the next layer in, because extra layers to make it much more difficult to get everything to sit right. (I'll have to order some more iron-on bonding web. I've got some, but mostly the tape kind rather than the flat kind.)
It's not turning out bad so far, but not quite *right* either.. I'm getting some diagonal warping along and between the boning channels that bugs the heck out of me. My walking foot is also being slightly unreliable. There seems to be a pin in it that keeps slipping out of place. I can put it back, but it's kinda a pain, and there's dark grease inside that gets all over my fingers when I do, not great for working with ivory silk. I dream of an industrial walking foot machine with needle feed. Perhaps something like this. Wouldn't that be wonderful?

I did order a yard of white English coutil from King and Company on Etsy, although I may not be ready for it yet. It will be nice to see coutil up close, and be able to compare it to what I've been using. I figured there was probably no point in using domestic coutil as an intermediary, given that the canvas I've been using has very little give, and it's hard to imagine that a coutil described as having some give could really have much less than the Vera Wang canvas does. *shrug* But maybe I'll have to eventually get my paws on a bit of that anyway, just to see. I thought about ordering two yards of the English coutil, one white and one black, but despite the fact that King and Company has awesome prices on it, it's still expensive. Besides, it's not like there won't be other orders!

Currently I only have the normal type of awl, rather than the tapered kind recommended by Sydney Eileen in her tutorials on Grommeting by Hand and Inserting a Busk. I've ordered a tapered one, but haven't gotten it yet, so I'm kinda waiting on that to do any hole-poking. I'm not sure how necessary it is for the grommets currently, since I'm still using my stabilizing-the-eyelets-with-duct-strapping method that really does require punching holes, but I'd really like to have a proper corsetry awl before inserting the peg side of the busk. (I may eventually start using real grommets and not doing the duct strapping thing in the back-- grommets are actually not as deep as eyelets, and so I can't actually get grommets all the way through the duct strapping. Yes, I've tried. Although I also don't have grommet tools yet. I'd been kinda hoping that eyelet tools of the same size would work.. but eyelet and grommet sizing are different anyway. That doesn't make complete sense, since apparently the biggest difference between metal eyelets and grommets is whether or not they have washers on the back, but I've also got some eyelets with washers, and the tool to apply them, but they still don't use the same tool as the grommets. Go figure. I'm getting a serious headache on the metal eyelets vs. grommets issue.)



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