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Is This an Excuse?

Shoes on Aditi -- SolidShoes on Aditi -- Solid
Probably not, huh? I'm still playing with mesh in Blender and SL. And playing with textures in GIMP, although less of that since I'm using the specular baking.
Specular baking is where you use the 3D program (in my case Blender) to "bake" the reflections of the lights onto the texture of the object, to give it a more realistic look. The specular colors generally depend on angle, so it's rather convoluted going about trying to actually bake them into the texture. It involves nodes which are essentially a pipeline of texture factors. I actually found the Tutoral on SLU by Googling.
Shoes on Aditi -- Animal PrintShoes on Aditi -- Animal Print
Then I found this blog post that directed me to the Rotating Brush Assistant GIMP Plug-in which was how I learned the easy way to create a stitching effect. ..and any other effect that requires the angle of the brush to change with the angle of the stroke. How I managed to live without knowing about this plug-in and how to make animated brushes, I don't know.
Shoes on Aditi -- PlaidShoes on Aditi -- Plaid
So I'm improving at box modeling, learning how to use materials and material nodes (or is that node materials? I'm not clear on the difference. Or maybe material nodes are the nodes and node materials are the materials that use nodes.) setting up lighting, combining lighting types (it seems to turn out better with a couple of white specular/diffuse point lights and then some more specular-only lights in different colors.) effective/efficient UV unwrapping, using the different modifiers, and picking up some additional helpful GIMP skills like animated brushes.

So I've been playing with digital shoes and digital lighting effects and digital textures. It's not completely not real, though. I mean, anybody can hop onto the grid and see 'em. Fine, currently I'm just playing with them on Aditi [the beta grid] but I'll upload them to the main grid [Agni] at some point.. when they're ready. I need to do a few more different plaids, I think. And some more animal prints. And maybe something else. Polka-dots? Random prints, like hearts and skulls and stuff? I dunno. Maybe all of the above.
Shoes on Aditi -- SparkleyShoes on Aditi -- Sparkley

How to Watermark Your Images Using GIMP

Opening the Layers/Channels/Paths/Undo Dialog in GimpOpening the Layers/Channels/Paths/Undo Dialog in Gimp There's been some talk on PR lately of images, and companies and/or people using them without permission, and it's come up that a lot of people (including dfr!) don't know how to watermark their images. The thread that prompted this post was the one started by Rebecca of Tales of a Wannabe Seamstress about pattern companies publishing blog photos on Facebook, but there have been several other threads recently on similar topics.

While someone with much photo-editing skill can probably remove most watermarks, just having it decreases the temptation to simply swipe an image because it's easy, and increases the likelihood that if someone else does use your images, they'll at least credit you.
In general, circulation of your work through comments, links, excerpts, etc., is usually positive, and inclusion on gallery and "social collection" sites like Pinterest or Wists is generally a good thing. Whenever you put something up online, you shouldn't have the expectation that it will be private, and usually visibility is what you want. But having your images simply stolen is never fun.

How to Create New Layers in GimpHow to Create New Layers in Gimp

You should consider carefully before objecting to properly attributed excerpts, even if you weren't asked. Interlinking and commenting on what other people have done is what makes the blogosphere go 'round. If someone has quoted you or shown a reasonable picture or screenshot of something you've done that could be considered fair use, and has linked to you and properly credited it, you should probably be happy rather than angry. The guideline on fair use is that their use shouldn't decrease the value of what you've published. That doesn't mean they can't criticize it, it just means that they can't include so much that your own post would become redundant to their readers. The legal criteria for fair use are outlined by United States Code Title 17, Subsection 107.

Gimp Opacity Slider and Layer Mode SelectionGimp Opacity Slider and Layer Mode Selection

How To Watermark Your Images

So, some quick instructions on watermarking. Most of what you're going to do uses the Layers/Channels/Paths/Undo dialog. It should open along with GIMP, but if it dosn't, you can access it through the "windows" menu in GIMP's top toolbar. (You can view the larger versions of images in this tutorial, and on my blog in general, by clicking on them.)
What you're going to want to do is create a new layer for the watermark.

Note that when you add text, that text is always added in a new layer, and the layer is automatically labeled by what the text says. So if you're watermarking using text only, you shouldn't need to add your new layer manually.

New layers added using the "add new layer" button (Circled in red) are by default called "New layer," "New layer #1," etc. If you right click on the layer in the layers dialog (Not in your image!) the first option is "Layer attributes," which will allow you to change the name of your layer if you wish to do so.

Once you've created a new layer, whether it's text or an image (I've created a GIMP brush for my watermark, so I can easily stamp it anywhere) you can manipulate the layer opacity and mode using the options just above the list of layers. Whatever layer is selected will be the one affected by your selections. Opacity should be fairly self explanatory: 0 is completely transparent (invisible) and 100 is completely opaque.
The layer modes contain things like overlay, darken only, lighten only, and value. They dictate how the layer shows itself. For example, if you make a layer the "darken only" mode, you'll only see the contents of that layer in places where the selected layer is darker than what is under it.

When you select Edit > Paste as > Paste as New Layer, your newly pasted layer will be a floating selection, not yet anchored to a "real" layer. You can fix this by clicking the "create new layer" button. Otherwise, if you paste anything else, that floating section will automatically anchor to the layer beneath it. I believe anchoring is the same as merging down. It's not the same as moving down, which is simply rearranging the order of the layers.

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