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June 2011

Stevia Seedlings

Indoor Stevia SeedlingIndoor Stevia Seedling Outdoor Stevia SeedlingOutdoor Stevia Seedling I split up my stevia seedlings; one inside and one outside. The leaves on the outside one look a bit gnarled, but it's also significantly stouter than the indoor seedling. The indoor seedling taller, but distinctly more fragile.

The windowsill really doesn't get quite enough light. It's good for starting seeds, but not quite enough for decent growth. In the fall I'll probably put in a grow light to supplement the light so I can keep a few plants going through the winter. Herbs at least, but it would be nice to keep at least a few vegetables going.

The rest of the garden is doing more or less okay. I'm having big bug problems. The cucumber beetles are bad. And of course, so are the stink bugs. Really bad. I've been using diatomaceous earth, Dipel, and insecticidal soap, and tulle floating row covers, and they all help some.. but not quite enough. I finally bit the bullet and ordered Sevin. I'm getting some cucumber wilt. I've read that you diagnose bacterial wilt by breaking the stem and seeing if there's a milky sap inside and it'll be kinda sticky. It's not, but there's still some kind of wilt problem. And this was a strain that was supposedly disease resistant.. maybe just not to bacterial wilt, though. So I set up another fence for cucumbers, will plant some more, and will use the Sevin. I may order some more seeds too, of one of the really good disease-resistant varieties.

Silk Panel

Silk PanelSilk Panel Silk Panel Pattern CloseupSilk Panel Pattern Closeup Y'all know that "If Microsoft made cars" joke? Remember the line about accepting that every so often, it'll suddenly stop working and you'll have to close all of the windows and restart the car? The other night when I originally took the pictures of the panel, I was having trouble getting my computer to recognize when I plugged the memory-card-to-USB converter into my USB hub. Dunno what the problem was, but restarting the computer fixed it.

So anyway, here are the full panel and closeup views of the silk border print I've gotten in my last two mystery bundles. (I got a two-panel piece in each bundle. They were labeled as two yards, but each panel is actually about 42 inches, so each piece is about two and a third yards.)

It's definitely heavier than I'd think of for chiffon; I'm not totally sure what it is. Crepe de chine, maybe? Georgette? I don't have swatches of either of those in my fabric dictionary. I'll have to go through more of my old mailers to see what swatches I might have that haven't yet found their way to their respective fabric dictionary entries.

It's not too transparent, but I wouldn't call it opaque either. I do have some trouble gauging the sheerness of fabrics that are neither totally sheer nor totally opaque. Are there any guidelines so far as lighting and such for determine how sheer a fabric is? In the picture you can see the two horizontal lines from the glare off of the picture frame that's behind the panel. It recovers well from being pinned to the wall, too. At first I just pinned the selveges on the side, but it drapes too much not to add a pin in the center. The pin didn't seem to do any damage.

I don't know which way is up. Sense seems to dictate that the stripe would be at the bottom, which is certainly the most practical so far as making it into a garment; the horizontal line would be at the hem.
But it almost looks upside-down, doesn't it? Maybe that's because some of those sets of three wedge-thingies are green, yellow, and pink which gives them a traffic-light look. And the design has a kinda martini-glass shape to it. It's that stem-glass shape with a line sticking out the top. Although turn it upside down, and it looks like hanging lamps. Or suspended citrus wedges. Folding or feather fans? But then those sticks point out the top would bop the user in the face.
Why I'm turning a geometric fabric print into some kind of non-blobby Rorschach test, I'm not sure. It just seems like it needs an explanation.

Well, I'm sending one of the pieces to dfr, so maybe she'll be able to explain it. And figure out what it wants to be. She's the one with decent style/overall look visualization ability. My visualization ability is generally limited to spatial manipulations; rotating and flipping around shapes and such. Somehow things like imagining a fabric as a garment, or what a garment would look like in another fabric never come easily to me. There have been quite a few nice patterns that I never considered just because I wasn't fond of the way they looked in the fabric on the front of the envelope. I may be getting a tad better at that with practice, but my progress there is slow.


Copyright note: I watermark photos I upload because I took the photographs, and because images are so very easily swiped on the internet. I am posting these photos of the physical object (fabric) that I received in a mystery bundle, in order to better describe and comment on said bundle.
Obviously I did not design the fabric or the print, and as such, the copyright for the print does not belong to me. The selvedge identifies the copyright owner as Calamo Silk, Inc., which appears to be a custom silk manufacturing company.
(A word of caution about their site: It's a flash site. The sound can be turned off. As far as I can tell, the same is not true for the scrolling background. And by "scrolling background" I don't mean that it scrolls as you scroll down the page, I mean it continuously scrolls horizontally, right to left, underneath the text and everything. It's a grey-on-black world map, and while it's not initially as obtrusive as the sound, it actually started to make me motion sick after a little while.)

My Latest Mystery Bundle (June 2011)

Mystery Bundle -- June 2011Mystery Bundle -- June 2011 I got an order from FabricMart last week, and I still hadn't posted about the mystery bundle because I've been a bad bad blogger who hasn't kept up with posting. I was gardening and reading some zombie books. Yes, I know I've gotta put up more garden pictures too.

So anyways, here's the bundle. It's not bad, but definitely not the best bundle I've ever gotten. The two on the left are synthetics, 1 5/8 yards of a light blue polyester satin and something that's synthetic and navy blue. I'll have to see what it thinks of water; if it's water repellant, it might be useful. Then there's 1 3/8 yards of this "heirloom" cotton print, 2 1/2 yards yards of this cotton/spandex shirting, and 2 yards of the same strange silk print I got in my last mystery bundle. Generally I'm happy with any silk.. but I really have no idea what to do with this stuff! The print is strange and I didn't know what to think of two yards of the stuff, let alone four!

I'll have to do a "best of mystery bundles" post one of these days. I got some really good mystery bundle fabrics last fall, like the green silk gazar and the blue charmeuse.

Post Images

A book for image node items that are full posts.

How to Watermark Your Images Using GIMP

Opening the Layers/Channels/Paths/Undo Dialog in GimpOpening the Layers/Channels/Paths/Undo Dialog in Gimp There's been some talk on PR lately of images, and companies and/or people using them without permission, and it's come up that a lot of people (including dfr!) don't know how to watermark their images. The thread that prompted this post was the one started by Rebecca of Tales of a Wannabe Seamstress about pattern companies publishing blog photos on Facebook, but there have been several other threads recently on similar topics.

While someone with much photo-editing skill can probably remove most watermarks, just having it decreases the temptation to simply swipe an image because it's easy, and increases the likelihood that if someone else does use your images, they'll at least credit you.
In general, circulation of your work through comments, links, excerpts, etc., is usually positive, and inclusion on gallery and "social collection" sites like Pinterest or Wists is generally a good thing. Whenever you put something up online, you shouldn't have the expectation that it will be private, and usually visibility is what you want. But having your images simply stolen is never fun.

How to Create New Layers in GimpHow to Create New Layers in Gimp

You should consider carefully before objecting to properly attributed excerpts, even if you weren't asked. Interlinking and commenting on what other people have done is what makes the blogosphere go 'round. If someone has quoted you or shown a reasonable picture or screenshot of something you've done that could be considered fair use, and has linked to you and properly credited it, you should probably be happy rather than angry. The guideline on fair use is that their use shouldn't decrease the value of what you've published. That doesn't mean they can't criticize it, it just means that they can't include so much that your own post would become redundant to their readers. The legal criteria for fair use are outlined by United States Code Title 17, Subsection 107.



Gimp Opacity Slider and Layer Mode SelectionGimp Opacity Slider and Layer Mode Selection

How To Watermark Your Images

So, some quick instructions on watermarking. Most of what you're going to do uses the Layers/Channels/Paths/Undo dialog. It should open along with GIMP, but if it dosn't, you can access it through the "windows" menu in GIMP's top toolbar. (You can view the larger versions of images in this tutorial, and on my blog in general, by clicking on them.)
What you're going to want to do is create a new layer for the watermark.

Note that when you add text, that text is always added in a new layer, and the layer is automatically labeled by what the text says. So if you're watermarking using text only, you shouldn't need to add your new layer manually.

New layers added using the "add new layer" button (Circled in red) are by default called "New layer," "New layer #1," etc. If you right click on the layer in the layers dialog (Not in your image!) the first option is "Layer attributes," which will allow you to change the name of your layer if you wish to do so.

Once you've created a new layer, whether it's text or an image (I've created a GIMP brush for my watermark, so I can easily stamp it anywhere) you can manipulate the layer opacity and mode using the options just above the list of layers. Whatever layer is selected will be the one affected by your selections. Opacity should be fairly self explanatory: 0 is completely transparent (invisible) and 100 is completely opaque.
The layer modes contain things like overlay, darken only, lighten only, and value. They dictate how the layer shows itself. For example, if you make a layer the "darken only" mode, you'll only see the contents of that layer in places where the selected layer is darker than what is under it.

When you select Edit > Paste as > Paste as New Layer, your newly pasted layer will be a floating selection, not yet anchored to a "real" layer. You can fix this by clicking the "create new layer" button. Otherwise, if you paste anything else, that floating section will automatically anchor to the layer beneath it. I believe anchoring is the same as merging down. It's not the same as moving down, which is simply rearranging the order of the layers.

Fabric Dictionary

I got started on a fabric dictionary awhile ago, when I wanted a better way to reference fabrics than going through FabricMart mailers month-by-month. I used an OpenOffice book template, and then altered the layout to leave room to attach swatches and created a fairly organized mish-mosh list of fabric and fiber types. Some have definitions, some don't, which didn't seem too important since I was using it mainly for swatch organization.
I printed it out and got started started filling it with swatches from FabricMart mailers and the one sample issue of VogueFabrics' swatch club I'd gotten ages ago. (Vogue also has back issues at a discounted price, which is a great way of getting a whole bunch of swatches for cheap.) Then I added in more entries as I came across fabrics I had swatches of but that I hadn't yet put into the dictionary.

I have it divided up by fiber as the top category and then by whether it's woven or knit, so there are various fabric types that occur in more than one place. I have a separate section at the bottom for blends, although in my version, I generally put a fabric that's mainly one thing with just a bit of something else into the category of its main content.

Anyway, there was a question today in the Fabrics and More section on Pattern Review about having a reference so far as what fabric is what, so I figured I'd finally get around to posting this.

Since I put this together using OpenOffice, I'm not sure how it will look in other word processing programs. I saved it in both OpenOffice's native format and in Microsoft's .doc format, but I'm not sure to what extent all the formatting will hold. (Not totally sure why the .doc format version file is so much larger. I didn't make any changes between the two versions besides file type, so the size difference is a function of how it's saved--the content should all be the same.)

Feel free to print this out, adapt it, make changes, etc. I'd love feedback, so if you add anything or change anything or would like me to change anything (etc...) please let me know and/or send me a copy of your updated version!

(Okay, I think I fixed the permissions problem)

Friend Connect -- Fixed?

The Google Friend Connect module that has been having lots of problems and more problems seems to be working again. I'm not sure what I did different. I uninstalled and reinstalled the Google Friend Connect module, but I did that before, too. I ran the update script, but I did that before, too. It seems to be working in both Firefox and IE now, and I'm not getting any more red error messages. Why? No freaking clue. I'm pretty certain that I only did things that I'd already tried. Maybe Google finally fixed something. I'm not sure if it's going to recognize all of the same usernames, or if it's going to create new ones. When I signed in on IE, it created Maggie_2. But it's behaving better than it was before.

Stupid Search Results (The Evils of SEO)

I've been researching industrial machines for awhile now, mostly searching on Craigslist and then searching for more information on the machines listed. And I'm getting really annoyed by really ridiculous, irrelevant Google search results. Google claims that they now offer an option to block certain domains, but whether it doesn't work in Firefox 4 or they bowed out to complaints from companies that thought they'd get blocked, I don't know.

There seem to be a whole lot of sites, mainly with .info extensions, that are nothing but a populated list of eBay auctions. They all have different domains, but seem to be identical, and what they show isn't pertinent to the domain name. For example, you'll find the exact same things on "sergermachines.info" as on "childssewingmachines.info" and "sewingmachinesbrother.info," etc. And when I'm looking for information on a Singer 111W151, there is absolutely nothing relevant on any of those "sites." Yes, those all show up when I search for information on a particular industrial Singer model. And since they're obviously not affiliated with Brother, I'd think that a domain including "brother" and "sewing machines" would be a trademark infringement. But they can't let that get in the way of their keyword loading, now can they?

I don't have a problem with commercial sites, or with sites that use affiliate programs. Sites selling particular machines are frequently excellent sources of information about those machines. But these aren't sites that are actually selling anything themselves, or providing information about the things that they're showing or making actual recommendations. They don't do anything at all but clog search results; they're keyword clogged add farms. And eBay is easy enough to search, either through their own search, or Google's shopping search, so there is absolutely no reason why any of these ad-farm sites are of any value whatsoever. None, zero, zip, zilch. So WHY can't I easily block these? And why isn't there some way to report that these are not relevant search results? These sites are SEO abuse, nothing more. I thought Google was supposed to get rid of excess results that are too similar to be relevant to finding anything new, but all these site seem to be showing up constantly. Isn't there some way to report this crap?

Stevia From Seed and Ordering Plants Online

Tiny Stevia SeedlingTiny Stevia Seedling
I ordered a packet of Stevia Seeds along with an Amazon order awhile ago, before I actually knew anything about growing stevia. The overall rating was low, but included "reviews" like "how many seeds are in this packet?" and of course, non-review reviews piss me off to no end. They were eligible for super saver shipping, so I ordered them to push an order over the $25 necessary to qualify for the free shipping.

At the time I didn't realize that germination rates on stevia are rather low, so I only planted a few outside. I don't think they've sprouted outside, but I planted them out in the big garden and that's not really a great place for starting seeds. After learning that they're fairly difficult to start, I poured the rest of the packet into cup of dirt inside and sat it on the windowsill, not really expecting much since it was a fairly small packet. I've actually gotten two started, though!

I divided them into separate cups, and placed one of them outside and left the other on the windowsill. Both are growing slowly (as seedlings tend to do before they establish enough leaf surface area for faster growth,) but are growing.

There have been subsequent reviews (after I bought these seeds) stating that they don't grow at all. This I find pretty strange, especially since one person says that they ordered three packets. I'll have to leave a review stating that mine are growing, but since they're tiny and not really established yet, I'm still holding off making judgments either way about them, particularly since I've had massive problems with strawberries sprouting as tiny seedlings and then dying.

Just to be certain (given that I use a significant amount of artificial sweeteners, growing stevia would be really nice,) I'm kinda considering ordering an already started plant. As far as I can tell, there is one place online, Michigan Bulb Company that sells established stevia plants. If I want to order, I'll have to soon, because their spring shipping season is almost over. But they have flat rate shipping, and I can't order just one little thing when there's flat rate shipping involved! ..So I'm still debating it. Maybe I'll tack on an order for a grape plant.. if I can figure out where I'd want to set up supports and all for grapes. Grapes are something I keep thinking about growing anyways.. it's just the "where" that's a tad problematic. And I don't want to give up on my started plants. But three plants are better than two, right?

Some of those dwarf citrus trees are pretty tempting too. But then I have to decide just which one or two I want, and I have problems deciding what I don't want to grow. I want to grow everything!

I'm also still a tad nervous about ordering live plants online. I've ordered plenty of seeds online, but still haven't ordered any actual plants. I know some come as bare root and some actually come potted, but I'm having trouble picturing just what a plant traveling through the mail would look like.

A Silk Chiffon Tunic (Finally!)

Polka-Dotted Chiffon TopPolka-Dotted Chiffon Top Chiffon Tunic NecklineChiffon Tunic Neckline After Dfr's recent success with Butterick 5355 for her silk charmeuse, I decided it would be a good pattern to use for some of my chiffon. I got this caramel-colored polka-dotted chiffon early last year in a chiffon bundle from FabricMart, and it seemed like the best choice to use for my first silk chiffon top since I'm not totally wild about the color. Don't get me wrong, it's certainly wearable, but I have a harder time cutting into fabrics in really beautiful colors.

I used French seams, and narrow hems both for the bottom edges and for the neckline. The pattern includes a sash as well, which I haven't made yet, although I haven't decided if I want to or not. If I feel the need to give it more definition around the waist, I might come up with some kind of belt to wear with it, but I'd go with something thinner than the sash-style belt in the pattern; maybe a chain-type belt. Loose and flowing is what I was aiming for, and shapelessness isn't so much of a worry with such sheer fabric, so that's still up in the air.

Despite being delicate silk, my purpose with this was utilitarian; I needed something good for hot weather, light enough to have plenty of air flow, so that I can have the feel of wearing a tank top or just a corset, without running around feeling like I'm half-naked.

Next time I'll probably try the front piece from the A and B views that has the V-neck, rather than the higher neckline that views C and D have.



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